Wherever I am, the world comes after me.
It offers me its busyness. It does not believe that I do not want it.
Now I understand why the old poets of China went so far
and high into the mountains, then crept into the pale mist.
"The Old Poets of China" by Mary Oliver

In New Book, Professor Cañete Examines Amadeo Manalad’s Illustrations Based on ‘Tadhana: A History of the Filipino’

Details

“Amadeo Y. Manalad: Telling Tadhana” by Professor Reuben Ramas Cañete, PhD of the UP Asian Center was launched last 7 October 2016 at the GSIS Museum in Pasay City.

The book discusses the illustrations of the Filipino artist Amadeo Y. Manalad that depicted certain historical episodes narrated in turn in Tadhana: History of the Filipino People. Authored by President Ferdinand Marcos, the book, writes Professor Canete, aimed to “recapitulat[e] the history of the Philippines based on the perspective of a Filipino nationalist, but one who simultaneously was also is its unarguable leader, the President himself” (15). The book “form[ed] a pro-Filipino viewpoint about national history that rejects the imperialist attitude and colonial mentality….without being anti-foreign and anti-establishment” (15). Volume 1 and Volume Two, Parts One and Two of Tadhana were published between 1976 and 1980.

The illustrations in the Tadhana book itself were done by Rod Perez Cruz, but President Marcos, writes Professor Canete, knew “keenly that his narration of Philippine history, if confined into print, would only be read by a small percentage of the Filipino population.” The president “.....must have concluded that using the illustration format for newspapers in translating Tadhana into a more visual and comprehendible narrative would enhance the effect of this work, and popularize the rendition of history through a format that was already familiar to millions of readers” (16).

This popularization was done through Manalad’s pen-and-ink illustrations, which were all published in installments between May 1978 and October 1978 in The Sunday Express. There were seventeen installments featuring 99 illustrations that “cover[ing] the years between 1565 and 1663” and depicting events described in Volume Two, Part One of Tadhana. This volume “focuses on the early part of the colonization of the Philippines” (24).

In addition to the pen-and-ink illustrations, Manalad finished 40 charcoal and 15 red-pencil illustrations by late September 1980, “all of which were based on designs that he adapted from his pen and ink illustrations of the Tadhana series for The Sunday Express” (25).

Analyzing the illustrations individually and collectively -- in terms of form, medium, and artistic and historical significance --  Professor Canete writes that “Manalad’s illustrations go beyond the narrow confines of historical explication by imagining the Tadhana’s scenery through the lens of artistic practice…..[The illustrations] had to “be imagined and composed in order to bring historical texts closer to what the reading masses would image or accept as “the truth,” a verisimilitude informed by decades of illustrational practice…” (23), such as that in komiks.  Most importantly, Professor Canete writes that Manalad’s “sense of patriotism and nationalism as a Filipino” is evident in the latter’s illustrations, which recover the “‘lost voice” of the native “that never speaks” in the Spanish accounts” of Philippine society.

Telling Tadhana is published by Saga Publishing and has a limited print-run of 500 copies.

Professor Cañete has a Ph.D. in Philippine Studies from the University of the Philippines Diliman and specializes on political aesthetics, masculinity studies, and the preservation and promotion of local artistic traditions in Cebu and Bulacan.  At present, he is Assistant to the Dean for Cultural Affairs, curator of the Asian Center Museum, and is part of the Executive Council of the National Committee on Visual Arts, National Commission for Culture and the Arts. Visit his faculty profile.

The Asian Center offers M.A. degrees in Asian Studies with four fields of specialization: Northeast Asia, Southeast Asia, South Asia, and West Asia. The Center also has an M.A. program in Philippine Studies that allows students to major in Philippine society and culture, Philippine foreign relations, or Philippine development studies. The Center offers a Ph.D. program in Philippine Studies in conjunction with the College of Arts and Letters and the College of Social Sciences and Philosophy. For an overview of these graduate programs, click here. The Asian Center also publishes Asian Studies: Journal of Critical Perspectives on Asia, the latest issue of which can be downloaded at the journal's website. For other news and upcoming events at the Asian Center, click here.