Wherever I am, the world comes after me. It offers me its busyness. It does not believe that I do not want it. Now I understand why the old poets of China went so far and high into the mountains, then crept into the pale mist. "The Old Poets of China" by Mary Oliver
Carving the Divine: Buddhist Sculptors of Japan | A Documentary Film Showing
Carving the Divine: Buddhist Sculptors of Japan | A Documentary Film Showing
Details
The UP Asian Center, in partnership with the Art Studies Class of Asst. Prof. Szusza Velasco of the UP Department of Art Studies, presents the documentary film showing of Carving the Divine, on4 April 2025, 1:00 PM, PHT (GMT+8), at the GT-Toyota Asian Center Auditorium, UP Diliman, Quezon City. The event is free and open to the public. Pre-registration is recommended due to limited seating.
ABOUT THE DOCUMENTARY
Carving the Divine is a documentary film that offers a rare look into a 1400-year-old Buddhist woodcarving tradition and the practitioners struggling to preserve its legacy in a rapidly changing Japan. Determined to pass his craft down to future generations, Master Koun Seki, the former apprentice of renowned Busshi, Kourin Saito, interviews a candidate applying to be his new apprentice. Quickly though, we discover this apprenticeship and the Busshi’s life to be far less glamorous, and much more austere, than we (or the Candidate) would’ve likely imagined. Once Master Seki makes his selection, we’re taken on a trip through a guild culture unlike anything existing today in The West: From the growing pains of a novice apprentice, to the entire guild working together as one body to create breathtaking works of art, to the monkish practice of the famed, Grand Master Saito himself, alone on his quest to “leave nothing but great works behind.” What’s more, we’re granted unprecedented access into the secret rights of Shingon (True Word) Buddhism. And faced with the devastation of the Tōhoku Tsunami, we’re given profound insight into the Busshi’s significance within the Japanese psyche, and the nature of human perseverance through suffering.
WATCH THE TRAILER
ABOUT THE DIRECTOR
YUJIRO SEKI Director, Carving the Divine: Buddhist Sculptors of Japan
Born and raised in Japan, Yujiro Seki discovered his passion for film-making when he was in high school. Through making his first feature film, Sokonashi Deka (The Enigmatic Detective), he became enamored with the imaginative possibilities of cinema and vowed to master the art through study in the United States. Despite the fact that starting a new life in a new country was a challenge in itself, Seki earned a BA in Film from the University of California, Berkeley, and completed a short film, Sashimi Taco, for his senior, honors thesis. Following his graduation, Seki moved to Los Angeles to work as a director of the video department for Intermarket Design, and as a film instructor at Montecito Fine Arts College of Design. After attaining permanent U.S. residency, Seki began studying full time in the Cinematography program at UCLA Extension. Upon graduating from that program, he embarked on the journey of making his feature documentary project, Carving the Divine: Buddhist Sculptors of Japan
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The Asian Center, University of the Philippines Diliman offers M.A. degrees in Asian Studies with four fields of specialization: Northeast Asia, Southeast Asia, South Asia, and West Asia. The UP Asian Center also has an M.A. program in Philippine Studies that allows students to major in Philippine society and culture, Philippine foreign relations, or Philippine development studies. It also offers a Ph.D. program in Philippine Studies in conjunction with the College of Arts and Letters and the College of Social Sciences and Philosophy. For an overview of these graduate programs, click here. As an area studies institution, the Asian Center also publishes Asian Studies: Journal of Critical Perspectives on Asia, the latest issue of which can be downloaded at the journal's website.