Wherever I am, the world comes after me.
It offers me its busyness. It does not believe that I do not want it.
Now I understand 
why the old poets of China went so far
and high 
into the mountains, then crept into the pale mist.
"The Old Poets of China" by Mary Oliver

Journal Articles

2023. “Three Categories of Intangible Cultural Heritage and Three Degrees of Importance: The Case of the Sama-Bajau Igal Dance Tradition of Tawi-Tawi Province, Philippines.” In Proceedings of the International Music and Performing Arts Conference Vol 1, edited by Zannie Hamza, Hafzan, Flory Ann Mansor Gingging, Lena Farida Hussain Chin, Patricia Ann Hardwick, Muchammad Bayu Tejo Sampurno, and Christine Augustine, 1-19.
2019. "Cosmology and the Construction of Space in Three Sama-Bajau Rituals." Borneo Research Journal (Special Issue, Bajau/Sama Towards Globalisation and Sustainability): 26–41.
2016. "Temple of Dance? Interrogating the Sanskritization of Pangalay." Asian Studies: Journal of Critical Perspectives on Asia 52 (1): 13–37. 
2014. Sulu sojourns: Photo-ethnography and political discourses on four ethnolinguistic groups in the Sulu and Tawi-Tawi ArchipelagoesPhilippine Political Science Journal 35 (2):136–57. Coauthored with Reuben Ramas Cañete and Marc San Valentin.
2013. From Tortillier to Ingsud-Ingsud:  Creating New Understandings concerning the Importance of Indigenous Dance Terminology in the Practice and Kinaesthetics of the Sama Igal Dance TraditionAsian Studies: Journal of Critical Perspectives on Asia 49 (2):116–53.
2010. “From the Philippines to Borneo and Back (Or, Is it the Other Way Around and All Over the World?!!): The Sama Dilaut Sangbay-Igal [Tribute Song-Dance] Performance across Real and Cyber Spaces.” Borneo Research Journal 4 (December): 160–92. 

2010. “Visual Signification of Multiple Identities in the Southern Philippines:The Case of the Mural Painting Competition in the Kamahardikann 2009 of Bongao, Tawi-Tawi.” Journal of Maritime Geopolitics and Culture 1:1 (December): 93–123 (co-author with Hanafi Hussin). 

2010. “Igal-Pangalay: Reconstituting Culture via the Appropriation of Traditional Dances of the Sulu Sea.” Tirai Panggung 10:62–79. 

2009. “Digital Fabulation: Examining Endemism and Hybridity in the Sama Dilaut Igal Dance Tradition in the Virtual Space of YouTube.” The Loyola Schools Review: Humanities 8:103–126. 

2008. “Dancing with the Ghosts of the Sea: Experiencing the Pangkanduli Ritual of the Sama Dilaut (Bajau Laut) in Sikulan, Tawi-Tawi, Southern Philippines.” JATI 13:159–172 (co-author with Hanafi Hussin).